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Konstantin Andreewich Somov 'Young Man Reclining', 1931

1900-1945

Konstantin Andreewich Somov 'Young Man Reclining', 1931

henry-miller-fine-art-1900-1945-konstantin-andreevich-somov-young-man-reclining-boris-snezhkovsky-1931-paper-white.jpg
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henry-miller-fine-art-1900-1945-konstantin-andreevich-somov-young-man-reclining-boris-snezhkovsky-1931-paper-white.jpg
hm_24_08_house_068.jpg
hm_24_11_cg_028.jpg
hm_24_11_cg_013.jpg
rustic-room-illuminated-by-morning-sun(10).jpg

Konstantin Andreewich Somov 'Young Man Reclining', 1931

£0.00

Konstantin Andreewich Somov Russian, 1869-1939
Young Man Reclining (Boris Snezhkovsky), 1931

POA

Sanguine and pastel on paper
Signed and dated (twice) (lower right)
32cm × 48cm (46cm × 59cm framed)

Eventually emigrating to Paris after the Russian Revolution, Somov was a founding member of Mir iskusstva (World of Art), a Russian artistic movement and magazine, edited by Sergei Diaghilev. In his private life, he had a longtime, younger male companion, Methodiy Lukyanov (who died in 1932), and an ambiguous artistic and personal relationship with a young boxer, Boris Snezhkovsky, whom he painted many times in 1930s; see for example The Boxer, 1933. Snezhkovsky initially modeled for Somov's illustrations for Daphnis and Chloe by Longus (Éditions du Trianon, Paris, 1931). This is a preparatory study for these illustrations.

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