French School, Male Academic Study, 1832.
French School, Male Academic Study, 1832.

Charcoal on paper, initialled 'H.C.' and dated 1832 (lower right), 61cm x 47cm, framed. Drawings and paintings of the nude, called "académies", were the basic building blocks of academic art in France and Italy from 16th to 20th century.

£800.00

French School, Study of Saint Sebastian, c.1850.
French School, Study of Saint Sebastian, c.1850.

Black and white chalk on blue paper, squared and numbered for scale, 30cm x 23cm unframed. The composition of this Saint Sebastian sketch is similar to Paul Delarouche's St Sebastian contained with the Detroit Institute of Art.

£2750.00

Sascha Schneider, (German 1870-1927), The Invention of the Plough, 1890.
Sascha Schneider, (German 1870-1927), The Invention of the Plough, 1890.

Pencil on paper, signed and inscribed "A Schneider il 9. luglio 1890 l ´invenzione dell´arato tema proposito del professore Schilling' (lower left), 48cm x 63cm, unframed. Schneider was a painter and sculptor who, as a result of his homosexuality had to flee Germany for Italy in the early 20th century. 

£1250.00

French School, Academic Study, 1872.
French School, Academic Study, 1872.

Charcoal on paper, indistinctly signed and dated 'Janvier 1872' (lower right), 58cm x 32cm (80cm x 55cm framed). Drawings of the nude, called "académies", were central to academic art training in France from the 17th Century onwards.

£1300.00

William Etty, R.A. (British 1787-1849), Two Warriors.
William Etty, R.A. (British 1787-1849), Two Warriors.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

William Etty R.A, (British 1787-1849), A Last Judgment sketch.
William Etty R.A, (British 1787-1849), A Last Judgment sketch.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

William Etty, R.A, (British 1787-1849), Two Classical Nudes.
William Etty, R.A, (British 1787-1849), Two Classical Nudes.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

Charles Ransonette, (French 1793-1877), Adam après le Péché, after Jean-Jacques Flatters, 1863.
Charles Ransonette, (French 1793-1877), Adam après le Péché, after Jean-Jacques Flatters, 1863.

Gravure print on paper, 33cm x 24cm, unframed. Ransonnette was a French engraver. This print, after Jean-Jacques Flatters (1793-1877), was produced as an illustration to a French translation of Milton's Paradise Lost.

£150.00

Joseph Henri Cond'amin, (French 1847-1917), Male Figure, 1877.
Joseph Henri Cond'amin, (French 1847-1917), Male Figure, 1877.

Watercolour, signed, dated and insribed 'La Villa Medici' Rome, in pencil (lower right), 38cm x 29cm (55cm x 44cm framed). Cond'amin exhibited in the Paris Salon, from 1874 onwards.

£950.00

Hippolyte Lalaisse, (French 1812-1884), Male Academic Study, 19th Century.
Hippolyte Lalaisse, (French 1812-1884), Male Academic Study, 19th Century.

Pen and ink on paper, 36cm x 22cm, unframed. Lalaisse was a French painter in the academic style, and illustrator, who regularly exhibited at the Paris Salon.

£550.00

Hippolyte Lalaisse, (French 1812-1884), Male Academic Study with Staff, 19th Century.
Hippolyte Lalaisse, (French 1812-1884), Male Academic Study with Staff, 19th Century.

Pen, ink and pencil on paper, 36cm x 23cm, unframed. Lalaisse was a French painter in the academic style, and illustrator, who regularly exhibited at the Paris Salon.

£450.00

L Besançon, (French), Jeune Garçon à l'epée, late 19th Century.
L Besançon, (French), Jeune Garçon à l'epée, late 19th Century.

Oil on canvas, 81.5cm x 59.6cm, framed. Little is known about this French artist, but the painting was formerly in the private collection of Sir Noël Coward (1899-1973).

£5500.00

Jean-Baptiste Frénet, (French 1814-1889), Academic Study, 19th Century.
Jean-Baptiste Frénet, (French 1814-1889), Academic Study, 19th Century.

Black chalk on paper,  signed 'JP Frenet' (lower left), 46cm x 32cm, (62cm x 47cm framed). Frénet was a French painter, sculptor, photographer and politician based in Lyon. In 1835 he moved to Paris to train in the studio of Jean-Auguste-Dominique Ingres.

£450.00

Gustave Surand, (French 1860-1937), Academic Study, 19th Century.
Gustave Surand, (French 1860-1937), Academic Study, 19th Century.

Black crayon and white chalk on blue paper, 43cm x 29cm, unframed. Surand was a French artist who regularly exhibited at the Paris Salon. His work remains in public collections, including at LACMA in California.

£475.00

Jean-Émile Buland, (French 1857-1938), Academic Study, 1880.
Jean-Émile Buland, (French 1857-1938), Academic Study, 1880.

Gravure print, titled 'Grand Prix de Gravure en Taille-Douche 1880, reporte Jean-Emile Buland né a Paris le 25 Octobré 1875', 43cm x 31cm, unframed. He entered the École des Beaux-Arts in Paris in the workshops of Alexandre Cabanel. In 1880, he won the prix de Rome for engraving with this picutre.

£300.00

Gabriel Pascal Quidor, (1875-1928), Academic Study, 1900.
Gabriel Pascal Quidor, (1875-1928), Academic Study, 1900.

Gravure print, titled 'Grand Prix de Gravure en Taille-Douche 1900, reporte Gabriel-Pascal-Quidor né a Paris le 1er Juillet 1875', 43cm x 33cm, unframed. Quidor won the Prix de Rome for engraving for this print in 1900.

£300.00

French School, Academic Study, c.1880.
French School, Academic Study, c.1880.

Gravure print, 33cm x 18cm, unframed. A French print in the Academic style from the late 19th century.

£300.00

French School, Academic Study, c.1900.
French School, Academic Study, c.1900.

Gravure print, 40cm x 30cm, unframed. A French print in the Academic style from the late 19th century.

£300.00

Tourny, (French), Academic Study, c.1850.
Tourny, (French), Academic Study, c.1850.

Gravure print, titled '1er Grand Prix au conceours de 1846 par M. Tourny, Eléve de M M Achille, Martinet & Mulard' 45cm x 34cm, unframed. A French print in the Academic style from the mid 19th century.

£300.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Léon Cogniet (1794-1880).

£100.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Louis Henri de Rudder, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Louis Henri de Rudder, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Louis Henri de Rudder (1807-1881).

£100.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Léon Cogniet (1794-1880).

£100.00

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Red Chalk on paper, 60cm x 48cm, (73cm x 52cm framed). Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th century onwards. Only after acquiring enough skill were artists permitted to draw a posed live model.

500.00

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Black chalk on paper, 60cm x 48cm, (73cm x 52cm framed). Drawings of the nude, called "académies", were central to academic art training in France from the 16th century onwards. Painting was not taught at the École des Beaux-Arts, the centre of artistic training in Paris, until 1863.

£500.00

French School, Academic Study of Apollo Belvedere, 19th Century.
French School, Academic Study of Apollo Belvedere, 19th Century.

Red chalk on paper, 60cm x 48cm, unframed. Drawings of the nude, called "académies", were central to academic art training in France. Drawings were either made from life, or after plaster casts of antique sculpture, as here. This composition is a study of the Apollo Belvedere.

£350.00

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Black chalk on paper, 58cm x 45cm, unframed. Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th Century onwards. Only after acquiring enough skill were artists permitted to draw a posed live model.

£350.00

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Red chalk on paper, 58cm x 45cm, unframed. Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th Century onwards. Only after acquiring enough skill were artists permitted to draw, as here, a posed live model.

£350.00

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Red chalk on paper, 62cm x 48cm, (78cm x 55cm framed). Drawings of the nude, called "académies", were central to academic art training in France. Drawings were either made from life, or after plaster casts of antique sculpture, as here. This is a study of the central figure in the Laocoon.  

SOLD

French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.

Red Chalk on paper, 58cm x 45cm, (73cm x 52cm framed). Drawings and paintings of the nude, called "académies", were the basic building blocks of academic art in France and Italy from 16th to 20th century.

SOLD

Continental School, Portrait of a Man, 19th Century.
Continental School, Portrait of a Man, 19th Century.

Oil on canvas, 26cm x 20.5cmm, framed.

SOLD

 

Audibrand, (French), Les Forges de L'Enfer, after Jean-Jacques Flatters, 1863.
Audibrand, (French), Les Forges de L'Enfer, after Jean-Jacques Flatters, 1863.

Gravure print on paper, 33cm x 24cm, unframed. Audibrand was a French engraver. This print, after Jean-Jacques Flatters (1793-1877), was produced as an illustration to a French translation of Milton's Paradise Lost.

SOLD

Eugene Burnouf, (French 1801-1852), Portrait of Hindus, Latchoumana, c.1835.
Eugene Burnouf, (French 1801-1852), Portrait of Hindus, Latchoumana, c.1835.

Lithograph, 42cm x 29cm, unframed. This lithograph is from a collection of notable Hindus produced by Burnouf, who was considered one of the greatest French orientalists and the father of modern Buddhist studies in the West.

SOLD

Augustus Edwin John, O.M., R.A., (British 1878-1961), Academic Study, c.1895-97.
Augustus Edwin John, O.M., R.A., (British 1878-1961), Academic Study, c.1895-97.

Charcoal on paper, 84cm x 62cm, framed. Executed whilst John was studying at the Slade Art School. This academic study was previously owned by the art critic Brian Sewell.

SOLD

Paul Borel, (French 1828-1913), Academic Study, 19th Century.
Paul Borel, (French 1828-1913), Academic Study, 19th Century.

Pencil on paper, signed 'P Borel' (centre), 36cm x 30cm (52cm x 45cm framed). The French portrait painter and engraver was a specialist in history painting and religious subjects. There is a Paul-Borel street in Lyon and Paris.

SOLD

French School, Male Academic Study, 1832.
French School, Study of Saint Sebastian, c.1850.
Sascha Schneider, (German 1870-1927), The Invention of the Plough, 1890.
French School, Academic Study, 1872.
William Etty, R.A. (British 1787-1849), Two Warriors.
William Etty R.A, (British 1787-1849), A Last Judgment sketch.
William Etty, R.A, (British 1787-1849), Two Classical Nudes.
Charles Ransonette, (French 1793-1877), Adam après le Péché, after Jean-Jacques Flatters, 1863.
Joseph Henri Cond'amin, (French 1847-1917), Male Figure, 1877.
Hippolyte Lalaisse, (French 1812-1884), Male Academic Study, 19th Century.
Hippolyte Lalaisse, (French 1812-1884), Male Academic Study with Staff, 19th Century.
L Besançon, (French), Jeune Garçon à l'epée, late 19th Century.
Jean-Baptiste Frénet, (French 1814-1889), Academic Study, 19th Century.
Gustave Surand, (French 1860-1937), Academic Study, 19th Century.
Jean-Émile Buland, (French 1857-1938), Academic Study, 1880.
Gabriel Pascal Quidor, (1875-1928), Academic Study, 1900.
French School, Academic Study, c.1880.
French School, Academic Study, c.1900.
Tourny, (French), Academic Study, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Louis Henri de Rudder, c.1850.
Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.
French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.
French School, Academic Study of Apollo Belvedere, 19th Century.
French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.
French School, Academic Study, 19th Century.
Continental School, Portrait of a Man, 19th Century.
Audibrand, (French), Les Forges de L'Enfer, after Jean-Jacques Flatters, 1863.
Eugene Burnouf, (French 1801-1852), Portrait of Hindus, Latchoumana, c.1835.
Augustus Edwin John, O.M., R.A., (British 1878-1961), Academic Study, c.1895-97.
Paul Borel, (French 1828-1913), Academic Study, 19th Century.
French School, Male Academic Study, 1832.

Charcoal on paper, initialled 'H.C.' and dated 1832 (lower right), 61cm x 47cm, framed. Drawings and paintings of the nude, called "académies", were the basic building blocks of academic art in France and Italy from 16th to 20th century.

£800.00

French School, Study of Saint Sebastian, c.1850.

Black and white chalk on blue paper, squared and numbered for scale, 30cm x 23cm unframed. The composition of this Saint Sebastian sketch is similar to Paul Delarouche's St Sebastian contained with the Detroit Institute of Art.

£2750.00

Sascha Schneider, (German 1870-1927), The Invention of the Plough, 1890.

Pencil on paper, signed and inscribed "A Schneider il 9. luglio 1890 l ´invenzione dell´arato tema proposito del professore Schilling' (lower left), 48cm x 63cm, unframed. Schneider was a painter and sculptor who, as a result of his homosexuality had to flee Germany for Italy in the early 20th century. 

£1250.00

French School, Academic Study, 1872.

Charcoal on paper, indistinctly signed and dated 'Janvier 1872' (lower right), 58cm x 32cm (80cm x 55cm framed). Drawings of the nude, called "académies", were central to academic art training in France from the 17th Century onwards.

£1300.00

William Etty, R.A. (British 1787-1849), Two Warriors.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

William Etty R.A, (British 1787-1849), A Last Judgment sketch.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

William Etty, R.A, (British 1787-1849), Two Classical Nudes.

Pen and ink and watercolour on paper, 11.4cm x 8.5cm, (37cm x 27cm framed). Also known for his history paintings, Etty was the first significant British painter of nudes, both male and female. He was a student of Sir Thomas Lawrence at the RA. The picture was exhibited at the Brook Street Art Gallery, Etty Drawings, November 1938.

£650.00

Charles Ransonette, (French 1793-1877), Adam après le Péché, after Jean-Jacques Flatters, 1863.

Gravure print on paper, 33cm x 24cm, unframed. Ransonnette was a French engraver. This print, after Jean-Jacques Flatters (1793-1877), was produced as an illustration to a French translation of Milton's Paradise Lost.

£150.00

Joseph Henri Cond'amin, (French 1847-1917), Male Figure, 1877.

Watercolour, signed, dated and insribed 'La Villa Medici' Rome, in pencil (lower right), 38cm x 29cm (55cm x 44cm framed). Cond'amin exhibited in the Paris Salon, from 1874 onwards.

£950.00

Hippolyte Lalaisse, (French 1812-1884), Male Academic Study, 19th Century.

Pen and ink on paper, 36cm x 22cm, unframed. Lalaisse was a French painter in the academic style, and illustrator, who regularly exhibited at the Paris Salon.

£550.00

Hippolyte Lalaisse, (French 1812-1884), Male Academic Study with Staff, 19th Century.

Pen, ink and pencil on paper, 36cm x 23cm, unframed. Lalaisse was a French painter in the academic style, and illustrator, who regularly exhibited at the Paris Salon.

£450.00

L Besançon, (French), Jeune Garçon à l'epée, late 19th Century.

Oil on canvas, 81.5cm x 59.6cm, framed. Little is known about this French artist, but the painting was formerly in the private collection of Sir Noël Coward (1899-1973).

£5500.00

Jean-Baptiste Frénet, (French 1814-1889), Academic Study, 19th Century.

Black chalk on paper,  signed 'JP Frenet' (lower left), 46cm x 32cm, (62cm x 47cm framed). Frénet was a French painter, sculptor, photographer and politician based in Lyon. In 1835 he moved to Paris to train in the studio of Jean-Auguste-Dominique Ingres.

£450.00

Gustave Surand, (French 1860-1937), Academic Study, 19th Century.

Black crayon and white chalk on blue paper, 43cm x 29cm, unframed. Surand was a French artist who regularly exhibited at the Paris Salon. His work remains in public collections, including at LACMA in California.

£475.00

Jean-Émile Buland, (French 1857-1938), Academic Study, 1880.

Gravure print, titled 'Grand Prix de Gravure en Taille-Douche 1880, reporte Jean-Emile Buland né a Paris le 25 Octobré 1875', 43cm x 31cm, unframed. He entered the École des Beaux-Arts in Paris in the workshops of Alexandre Cabanel. In 1880, he won the prix de Rome for engraving with this picutre.

£300.00

Gabriel Pascal Quidor, (1875-1928), Academic Study, 1900.

Gravure print, titled 'Grand Prix de Gravure en Taille-Douche 1900, reporte Gabriel-Pascal-Quidor né a Paris le 1er Juillet 1875', 43cm x 33cm, unframed. Quidor won the Prix de Rome for engraving for this print in 1900.

£300.00

French School, Academic Study, c.1880.

Gravure print, 33cm x 18cm, unframed. A French print in the Academic style from the late 19th century.

£300.00

French School, Academic Study, c.1900.

Gravure print, 40cm x 30cm, unframed. A French print in the Academic style from the late 19th century.

£300.00

Tourny, (French), Academic Study, c.1850.

Gravure print, titled '1er Grand Prix au conceours de 1846 par M. Tourny, Eléve de M M Achille, Martinet & Mulard' 45cm x 34cm, unframed. A French print in the Academic style from the mid 19th century.

£300.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Léon Cogniet (1794-1880).

£100.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Louis Henri de Rudder, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Louis Henri de Rudder (1807-1881).

£100.00

Bernard Romain Julien, (French 1802-1871), Cours de Dessin after Léon Cogniet, c.1850.

Lithograph on paper, 36cm x 50cm, unframed. Julian was a French printmaker, lithographer, painter and draughtsman, best remembered for producing his 'Cours de Dessin' which were illustrated with his lithographs after contemporary artists, as here, after Léon Cogniet (1794-1880).

£100.00

French School, Academic Study, 19th Century.

Red Chalk on paper, 60cm x 48cm, (73cm x 52cm framed). Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th century onwards. Only after acquiring enough skill were artists permitted to draw a posed live model.

500.00

French School, Academic Study, 19th Century.

Black chalk on paper, 60cm x 48cm, (73cm x 52cm framed). Drawings of the nude, called "académies", were central to academic art training in France from the 16th century onwards. Painting was not taught at the École des Beaux-Arts, the centre of artistic training in Paris, until 1863.

£500.00

French School, Academic Study of Apollo Belvedere, 19th Century.

Red chalk on paper, 60cm x 48cm, unframed. Drawings of the nude, called "académies", were central to academic art training in France. Drawings were either made from life, or after plaster casts of antique sculpture, as here. This composition is a study of the Apollo Belvedere.

£350.00

French School, Academic Study, 19th Century.

Black chalk on paper, 58cm x 45cm, unframed. Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th Century onwards. Only after acquiring enough skill were artists permitted to draw a posed live model.

£350.00

French School, Academic Study, 19th Century.

Red chalk on paper, 58cm x 45cm, unframed. Drawings and paintings of the nude, called "académies", were central to academic art training in France from the 16th Century onwards. Only after acquiring enough skill were artists permitted to draw, as here, a posed live model.

£350.00

French School, Academic Study, 19th Century.

Red chalk on paper, 62cm x 48cm, (78cm x 55cm framed). Drawings of the nude, called "académies", were central to academic art training in France. Drawings were either made from life, or after plaster casts of antique sculpture, as here. This is a study of the central figure in the Laocoon.  

SOLD

French School, Academic Study, 19th Century.

Red Chalk on paper, 58cm x 45cm, (73cm x 52cm framed). Drawings and paintings of the nude, called "académies", were the basic building blocks of academic art in France and Italy from 16th to 20th century.

SOLD

Continental School, Portrait of a Man, 19th Century.

Oil on canvas, 26cm x 20.5cmm, framed.

SOLD

 

Audibrand, (French), Les Forges de L'Enfer, after Jean-Jacques Flatters, 1863.

Gravure print on paper, 33cm x 24cm, unframed. Audibrand was a French engraver. This print, after Jean-Jacques Flatters (1793-1877), was produced as an illustration to a French translation of Milton's Paradise Lost.

SOLD

Eugene Burnouf, (French 1801-1852), Portrait of Hindus, Latchoumana, c.1835.

Lithograph, 42cm x 29cm, unframed. This lithograph is from a collection of notable Hindus produced by Burnouf, who was considered one of the greatest French orientalists and the father of modern Buddhist studies in the West.

SOLD

Augustus Edwin John, O.M., R.A., (British 1878-1961), Academic Study, c.1895-97.

Charcoal on paper, 84cm x 62cm, framed. Executed whilst John was studying at the Slade Art School. This academic study was previously owned by the art critic Brian Sewell.

SOLD

Paul Borel, (French 1828-1913), Academic Study, 19th Century.

Pencil on paper, signed 'P Borel' (centre), 36cm x 30cm (52cm x 45cm framed). The French portrait painter and engraver was a specialist in history painting and religious subjects. There is a Paul-Borel street in Lyon and Paris.

SOLD

show thumbnails