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Bill Costa, 'I sharpened my tongue to a very fine point', 1994

Photography

Bill Costa, 'I sharpened my tongue to a very fine point', 1994

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Bill Costa, 'I sharpened my tongue to a very fine point', 1994

£950.00

Bill Costa American 1944-1995
I sharpened my tongue to a very fine point so as to burrow neatly into that crack which was as narrow as the eye of a needle, 1994

£950

silver print
Titled (verso)
31.5cm x 21.5cm (image size), 35cm x 27.5cm (sheet size), (50cm x 40cm in mount), unframed

Bill Costa was an American photographer celebrated for his evocative, intimate portraits of the male form juxtaposed against stark, decaying urban environments. Born in Fall River, Massachusetts, and raised in the fishing port and artist colony of Gloucester, Costa showed an early aptitude for the arts and studied drawing at the School of the Boston Museum of Fine Arts.After establishing a successful corporate career, he walked away from it in his twenties to focus entirely on his artistic vision, relocating to New York City where he staged his first exhibition in 1975.

Costa’s signature aesthetic centered on capturing the raw sensuality of young male models within abandoned, dilapidated architectural spaces—surrounded by peeling paint, rotting brick, and industrial ruin.Rejecting artificial lighting and staged contrivances, he worked closely and collaboratively with his subjects, relying on natural light to achieve a quiet, unforced authenticity.His photographs frequently featured poetic titles drawn from the writings of Jean Genet, reinforcing a deep appreciation for unsavory beauty and romanticism.Working against the backdrop of a crumbling 1970s New York and the devastating height of the AIDS epidemic in the 1980s and 1990s, Costa infused his images with a poignant dialogue between human vitality and physical decay.

Costa's career was cut short when he died suddenly of a heart attack on August 23, 1995, at the age of 51. His photography has since been showcased in numerous monographs, publications, and posthumous exhibitions across the United States and Europe, securing his place as an important chronicler of a bygone downtown New York underground

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